12.29.2011

A blogging break.


I am standing this side of something. A tunnel. A current. A dark place. An ocean of grief. It feels so strangely appropriate to stand on the precipice of a new year, and to stand at the ledge of this experience. I know that light awaits me. And I know that the light will not meet me all at once, but in slow, gradual gradients as I make my way across. And then I will stand, feet in the tides, on the opposite shore and welcome the sunrise. But first I must take the plunge.



I’m taking a break from blogging to turn my focus to my mother as she lives out her final days with us. She has battled breast cancer for 14 long years. We are deeply grateful for her life, for her love, for her unwavering faith and strength to the very end. 

I wish each of you a happy new year. See you on the other side. 

12.28.2011

On Writing : Louis CK Interviewed on NPR



The following is a quote from comedian Louis CK in an interview with Terry Gross on Fresh Air from a couple of weeks ago. I found this bit about script writing especially insightful. Louis had decided to write an episode for his FX series, Louie, based on some of his fellow comedians, in which a friend has informed him that he has decided to commit suicide. Louis wrote the episode mere months before his friend and fellow comedian Patrice O'Neal died of complications from diabetes.

Gross : Have you been in that position where somebody's told you that they want to kill themselves and you have to decide what are you supposed to do with that? 
C.K. : Well, it's a scary thing to ponder, you know, but it's emotional to hear that clip now because, I mean, I wrote that about a lot of comedians I knew coming up and comedy and show business are very cruel and they don't have a nice way of saying no or good-bye, you know? And a lot of guys live really tough lives in this racket. 
And I've known a lot of them and come up with some of them and some have made it, some haven't. And, you know, the idea of somebody saying to you look me in the eye and tell me I have a reason to live, it's terrifying to think, well, what if I fail them in that moment?... 
And, you know, it's just funny because I have such a different perspective on that issue of, like, someone's not taking care of themselves. Someone's not keeping themselves safe, and what is your role in that? And the anger I feel towards Doug in that scene is the kind of anger I feel about Patrice now that he's gone. So it's interesting to look back on it because the thing – the place I took myself in that scene, as I was writing it, I didn't know where it was going. I knew I wanted to stand on that street and have him give me that news and I didn't know where I wanted it to go. So I started writing to him my argument why not to kill yourself, and as I was writing it I realized for this argument to succeed would be really gross. For me to, like, be the guy who gives him the reason to live is so self-serving. 
And the fact that I was even attempting it on paper, I was embarrassed alone in a room. And so the way that I – the path I found to the truth of the scene for me was having Doug be the one to tell me how full of crap I was for trying it. So in other words, as I was sitting there typing here's why you shouldn't kill yourself, I stopped and said to myself, oh my god. Congratulations, you pig. You know, who do you think you are? And so then I had Doug basically say that.

I think the quote speaks for itself, but I will say that this is something I contemplate often. In my younger years of writing, I felt afraid of writing what I know, afraid that if I wrote it, it might not be the truth because it's just me and my perspective. Yet, I have this desperation to write and life as I experience it only spurs me toward writing more. I have to tell this story, I think to myself. How do I tell it truthfully? Will others understand what I mean by what I write?

But the truth is what you know when you're writing in a room alone. It's what you uncover, beneath layers of drafts and words and ideas, once you sit down. It is scary because it is real. Don't be afraid to write the truth. 

12.22.2011

Merry Christmas






"Because of God’s tender mercy, the morning light from heaven is about to break upon us, to give light to those who sit in darkness and in the shadow of death, and to guide us to the path of peace.”

 - Luke 1:78-79.

Wherever you are, however you celebrate, may you find light, peace, love, and mercy. Merry Christmas, dear friends.


P.S. Friday, December 23 is the last day you can enter to win one of my paintings on Abby's blog

12.19.2011

bookish : A Guide for the Dreaded Semicolon

The dreaded semicolon. Most avoid it using it, but it's really not that hard to understand. Should you need a re-education in appropriate semicolon use, here is your guide, courtesy of the Oatmeal :



book·ish/ˈbo͝okiSH/Adjective


1. (of a person or way of life) Devoted to reading and studying rather than worldly interests.
2. (of language or writing) Literary in style or allusion.
3. (of art and all manner of lovely things) devoted to the written word as a form of art and as a way of seeing the world.
4. (of SheWritesandRights.blogspot.com) anything of the aforementioned characteristics as they are found on the interwebs and reposted by Bethany, because bookish and writerly things always give reason for amusement.


P.S. Don't forget to enter Abby's giveaway for The Ripe Word! Enter by Friday, December 23. 

12.17.2011

Holiday Giveaway : The Ripe Word




Abby is hosting a giveaway for my Etsy shop, The Ripe Word, on her blog from now until Friday, December 23! Head over to Underlined and Bold to enter! Thank you, Abby, for supporting my little shop!

12.15.2011

Business in the City




Tuesday night I joined Jess Constable of Makeunder My Life for Business in the City, a gathering of small business owners for the purpose of talking through ideas, struggles, and plans related to starting a new business. Now that I've opened my Etsy shop, I'm looking for ways to connect with other small business owners and dialogue with them about this process. Having a network of like-minded people is key to building your business, for moral support, for idea generation, for learning the nuts and bolts of business success. It was so great to hear the diverse ideas and experiences that other attendees were there to share. A definite feeling of we're all in this together

I also had the pleasure of meeting two dear blogging friends live and in person, Abby and Melissa. Abby is a nanny/waitress/traveler/blogger/total free spirit girl that blogs over at Underlined and Bold. She just completed her first ever marathon just because she wanted to "prove to myself that I could do it." How awesome is that?! Keep your eyes open, Abby is doing a giveaway of one of my paintings in the next day or two. And Miss Melissa is a freelance writer that is about to celebrate transitioning from her full time job to her freelance job - so inspiring! Go get 'em, girl.  

Tuesday evening solidified so many things for me. That writing this blog was the best random thing I've ever done. That there are people in this world that understand this visceral need to make an impact, to leave a positive mark, through art and writing and creativity. That the best thing I can do for myself, for others, for the world, is just keep going

Thanks, Jess, for opening up this opportunity for beginners like us to be inspired and motivated. 


12.13.2011

Poem : For the Apple.




For the Apple. 

I delight in the crispness of an apple, 
 my lips wrapped around smooth skin
 and pure, sweet flesh
 broke open between my teeth. 


To hold it in my hand, 
 the weight of it reminds me, 
 the gleam of green skin reminds me 
 of growth 
 of goodness
 of briskness and autumn
 of contentment 
in the order and seasons of things. 


Sun 
and rain
and leaves of trees
then blossoms bursting to this new thing,
  this sweet new thing,
ready for the picking, 
for the plucking,
for the grip of my fingers,
for my lips on its skin
for my delight in this gritty, delicious 
  nectar of nature 
  and newness of life. 


In one sweet moment, 
I hold goodness in the grip of my hand.

12.09.2011

book·ish : In the Haze of a Good Read.


Loving this quote from one of my favorite actors. I can totally relate, Mr. Firth. Are you in the haze of a good read? I've just begun 84, Charing Cross Road at the recommendation (and donation!) of a friend. I'm already loving it. 




Source: imgfave.com via Bethany on Pinterest

~

book·ish/ˈbo͝okiSH/Adjective


1. (of a person or way of life) Devoted to reading and studying rather than worldly interests.
2. (of language or writing) Literary in style or allusion.
3. (of art and all manner of lovely things) devoted to the written word as a form of art and as a way of seeing the world.
4. (of SheWritesandRights.blogspot.com) anything of the aforementioned characteristics as they are found on the interwebs and reposted by Bethany, because bookish and writerly things always give reason for amusement.*

12.08.2011

Readership Doesn't Determine Writership.


I've been churning out poetry and journal entries like a human word mill, but when it comes to writing prose I've been struggling. I write with a feeling that I come close, but I miss the mark. The head of the nail is far away from where my words land. Poetry so adequately touches my emotions in that deep place where the logic and structure of prose do not fit. I dwell in that place right now. Memories fill my thoughts. Words and rhythms come naturally, lull me to sleep when the practicality of life feels burdensome and scary. 

If you don't believe me, I can send you a screen shot of the 47 different TextEdit windows that lay open and waiting with half written posts in them. I can tell you that the only things that feel accomplished and complete to me are the six [count them! 6!] poems I've drafted in the last two weeks. This is record breaking, but also upside down and backwards to my usual pace and direction and orientation of writing. 

I've been worrying and nibbling off all of my finger nails over the idea that my blog isn't a plethora of "Top 10 Ways to Blahblahblah" and that my daily blog readership is approximately 38 percent more than the number of people that actually respond to what I write.

No more. 

I've given myself a manicure and moved on. Because here is the thing that consoles and motivates me : 

My readership doesn't determine my writership.

I am a writer, first and foremost. My blog is a medium for my writing, not the other way around. 

Most blogs are prose, pieces of advice for learning how to build SEO in order to become the next piece-of-advice giver. That works for some people. It's garnered 30,000 readers and an e-book publication for them. Congratulations. 

I say that without sarcasm or disdain or jealousy. 

I say that with gratitude for the encouragement and useful information that continue to guide my journey as a writer. 

And I say that with the knowledge that it isn't for me.

I may lend my advice on occasion, but mostly, this space is my medium for sharing my creative writing and dialoguing about the process. I'm going to be posting a lot of poetry and pieces like this one, but maybe not as much prose or any formulaic posts that make my SEO and Klout score happy. 

So what, Bethany? 

I guess I'm finally coming to terms with the idea that it's good to be a writer that blogs, simply and plainly. And for the first time in awhile, these words I'm writing don't feel forced. 

This space is where you will find me. The whole me. The girl that sits amidst half empty coffee cups and pens and scraps of paper and writes what she thinks about the world, in whatever words and order they come to her. 

I am no expert, but I have things to say about writing and creativity and life, and I'd love to dialogue with you about that. Join me. Let's sit down with a cup of coffee and talk about our families and our dreams and what we wrote last night. 



12.05.2011

The Velvet Coat.


It hung on her coat rack for most of my childhood. My five, six, seven year old hands would pet the cuff, rub it against my cheek as she shoved my feet into snow boots before school. A picture of her in it hung above my Grandmother's rocker for years. Her dark feathered tendrils disappeared into the dark velvet collar, her face and eyes shining out from it with happiness, mischief. She was gorgeous, I thought.

One day she handed it to me.

"It'll fit you now. Do you want to try it? I used to wear it to see the opera in the city while I was at college. Made me feel special with heels and my tweed skirt."

And as I slip it on in the mornings, right sleeve then left sleeve, flinging my own dark hair from beneath the collar, I imagine her in this life before we knew one another. Laughing, glamorous and innocent and young in a dark velvet coat in the amber glow of city lights. I wrap it closer to myself, this jacket, this girl in another world. Stay with me now.

book·ish : A Holiday Gift Guide.

With Christmas just around the corner, I've been browsing Etsy for gift ideas. I've found plenty for family, and of course, plenty to pine over for myself. Here are a few gift ideas for the word nerds in your life. 

A Bookish Gift Guide. This one is conglomerative - Woolf, Bronte, Shakespeare, Austen are all noted here, but there are some functional pieces as well. And what reader doesn't love a good houndstooth scarf? 



Let Shakespeare do the talking. Say I love you and Merry Christmas with one of these beautiful pieces.  



book·ish/ˈbo͝okiSH/Adjective


1. (of a person or way of life) Devoted to reading and studying rather than worldly interests.
2. (of language or writing) Literary in style or allusion.
3. (of art and all manner of lovely things) devoted to the written word as a form of art and as a way of seeing the world.
4. (of SheWritesandRights.blogspot.com) anything of the aforementioned characteristics as they are found on the interwebs and reposted by Bethany, because bookish and writerly things always give reason for amusement.

11.30.2011

Poem : The Return.


I'm returning to days now - 

Monday

Tuesday 

Wednesday…

A natural order of things. 

I think in grief, to return to simplicity is the only way to seek restoration, to find healing, to cope, to comfort one another. 


The sound of your loved one's steady breath, 


a clock as it flicks mutely in the dark, 


a bed that is our own.


11.28.2011

In case you missed it : Guest Poem on The Write Practice


Last week I shared a poem of mine over at Write Practice as Part II of a our dialogue on good poetry. [I was a bit preoccupied, so my apologies for the late linkage.] My process for writing poetry is very visceral. My initial thoughts are what get written, and editing comes much later. The one that I've shared is in its infancy - naked as a newborn, in fact. It has a lot of maturing to do, so I need your critiques and comments.

book·ish : holiday party outfit.

So after a rough couple of weeks I'm back home in Chicago and ready to move forward. We brought Mom home from the hospital on Thanksgiving Day and set up in-home hospice care. I'm thankful that for the time being we are all okay. But more on that later when I'm feeling brave. 

For today, I'm dreaming of happy holidays and a great outfit to wear to them. Indulge with me. 


I'm thinking that with these earrings and my red suede pumps and a little black dress, this bookish bracelet will be the icing on the perfect New Year's outfit for a party downtown? Oh yes. And since it's Cyber Monday, now would be the perfect time to buy it all for me, right? [Hubby, are you reading this?] 

book·ish/ˈbo͝okiSH/Adjective


1. (of a person or way of life) Devoted to reading and studying rather than worldly interests.
2. (of language or writing) Literary in style or allusion.
3. (of art and all manner of lovely things) devoted to the written word as a form of art and as a way of seeing the world.
4. (of SheWritesandRights.blogspot.com) anything of the aforementioned characteristics as they are found on the interwebs and reposted by Bethany, because bookish and writerly things always give reason for amusement.*


*All items posted in the book·ish section are found by myself and posted of my own accord unless otherwise stated. If you would like to be a sponsor or host a giveaway, please contact me at shewritesandrights[at]gmail[dot]com.

11.22.2011

Guest Poem | Joe Bunting.

Today's poem was written by Write Practice blogger Joe Bunting, and we're bringing a little bit of the Write Practice process to Writes & Rights. This is Part I of a two-post dialogue about what makes a poem good. Tomorrow I'll share a new poem I've written over at Write Practice, but for today, we're looking for constructive criticism on Joe's piece. So share your thoughts- what parts of Joe's poem stick with you, resonate and tap into your innermost thoughts? Or does it? What parts of the poem are effective, and what parts need work? Do the imagery and message behind it speak clearly through Joe's language? Join the conversation about good poetry.

~

Learning, Still, to See

Where are you?
Do you see that white bird
in the red branches of the shrub?

Do you see this pile of dead leaves
pushed into a ditch from a parking lot
sprinkled with soda cans?

And do you see me, sitting atop this yellow
flower quilted hill—did you look close?
Did you notice each flower is the size of an ant?
Did you notice each is shaped like a stretched out bell?
Did you see the millions of ant-sized yellow bells?
If not, where are your eyes?

Where are your eyes and where are your feet?
Did you dance while God played the pipe in those red branches?
Did you weep when God played a sad song in that pile of leaves?

And did you see the old man dressed in a cornflower gown?
Or the old woman wheeled against the wall?
He stares dead ahead. Drool drips down her lip.

(They watch television and wait to die.)

Old man will you teach us to dance?
Old woman will you teach us to weep?
And will you teach us to see that white bird
Singing sad dance songs in the red
branches of a shrub I do not know the name of.

Maybe then you will learn to see.
(Maybe we'll learn to see too.)

~

Joe Bunting heads up The Write Practice, a blog of writing prompts for people who don't do writing prompts, where he considers himself the community editor. As a day job, Joe is a ghostwriter and canopy tour guide. (seriously. he hangs out in trees all day long.) Follow him on Twitter. Woohoo!

11.21.2011

What Makes a Poem Good?


"Good poems tend to incorporate some story, some cadence or shadow of story... You could, without much trouble, commit these poems to memory and have them by heart, like a cello in your head, a portable beauty to steady you and ward off despair." 
Today I'm thinking about how thankful I am for words and that feeling that you get when you read something that feels so right, so accurate that it taps into your innermost being. I've been rereading Garrison Keillor's Good Poems, and I finally read the introduction. He had some beautiful and amusing ideas about what makes a poem good, but I love this point in particular.

It is this concept that has motivated me to paint and produce artwork, and now share it with others. I am deeply interested in the steadying effect that art and poetry have on human nature, the way that these things color my world, bring it to life when everything feels grey and desolate. 

This week I'm swapping guest poems with another blogger, an exercise meant to open the discussion about the process of writing poetry, and using language to tap into the deepest parts of ourselves. Stay tuned. 


11.18.2011

Inspired By.


It's late and I'm exhausted. I am soul tired and bone tired and trying hard to grasp onto the good things and face reality, such as it is. Mom sleeps next to me, here in our own quiet room of a fifth floor oncology wing. For a few hours this evening she was coherent, ate a small bowl of soup and her headache was gone, her fever was down, her levels looked good. A glimmer of hope.

I don't know what to think about anything. I don't have a lot of words to say. And for the first time in a month, I don't have a paintbrush in my hand.

I have memories, good ones. I have prayers. I have a whole host of angels that call, text, tweet, message, and show up live and in person to love on us and ease the pain. And I have these little links of happiness that have made hard days a little brighter. I hope you enjoy them as I have. If you found a good link this week, do share.

Clouds.

Light.

Warmth.

Lovers see like artists do.

Unearth your story.

And a random comfy chair I'd love to curl up in right about now.


11.15.2011

Insecurity in Art.


Last Tuesday morning as I sat in a cafe chatting with a friend and getting ready to launch my new art shop, my best friend was preparing her culinary midterm project. This is her first term in pastry making, and she was nervous. Ten minutes into the process, she accidentally sliced open her finger as her professor watched, sliced it open badly enough that she had to leave her midterm and go to the emergency room for stitches. The poor girl. Mercifully, her instructor told her she could retake the midterm on Thursday. He knows from experience the nervousness, the danger of being a brand new chef in a kitchen full of fellow brand new chefs.

And this morning was so much like another morning I remember. It was late August, at the very beginning of my sophomore year. I was standing at my easel for the first day of Drawing I. The classroom was warm in the haze of an un-air-conditioned building, but I was scratching away at my sketchpad, glancing back and forth between my page and the prop - a lone orchid on a stool in the middle of our circle. I glanced at the girl next to me. My orchids drooped, clunky with the weight of too much shading, while her feathery petals sloped delicately across the page. I felt suddenly, regrettably faint. My face flushed with anxiety and blackness clouded the corners of my vision. I couldn't breathe. The professor walked past, and noticed my hand poised motionless over the paper. 

"How's it going?" she asked brightly. 

In a shaky voice I asked to sit down. She went and found me a glass of water and let me sit, head between my knees, until I could breathe again. I couldn't bear to look up and see if the other students were stealing glances at me and my incomplete page. As soon as class was dismissed I rushed back to my room and collapsed in the middle of our floor to the half amusement and concern of my roommates. 


There are a hundred more moments like this one built up in my head : the time when, reading aloud in front of my advanced composition class,  I stumbled over the same phrase in my own essay several times before finally reading it right. The time when another art professor walked into the quiet and mostly empty art studio and criticized my painting, even though I wasn't his student. The time that I cut my own finger while slicing bread with Erica for dinner - I nearly passed out and she had to bandage my finger for me. 

These moments pile, one on top of the other, like bricks. My insecurity is the mortar that seals them all together into a thick barrier that separates what I am doing now from what I want to be doing in the future. I become hardened and indifferent to art, believing that there is no place for it in my life. I am not meant for it. It is not mine to enjoy.

But it's a defense mechanism, this wall. It puts me in a dark place where my blog posts and poetry and sketches stay buried, lest someone finds them lacking and amateur. It's where all my excuses are born, reasons to keep my cooking and my art and my writing to myself. It helps me hide away my thin skin.

But what joy is there in art unshared? A slip of the knife is an easy mistake. No matter how steady our hands, we are all thin-skinned and fragile, vulnerable and easily exposed. A wall will only bury us and who we really are. There is no joy in that.


I'm working to break down the walls I've built around myself, to bare my thin skin and share my art with others, no matter how painful the process, no matter how raw it makes me.

We have to be willing to slice ourselves open, to pour ourselves out onto the page. 



Are you in a dark place? What walls have you built around yourself? What painful moments are you holding onto, or rather,

What painful moments are holding you back?




[All images by me, Bethany Suckrow.]

Poem : What I Learned from My Mother




Friends, first I want to say thank you for the overwhelming support at the announcement of my new shop last week. At this point, I'm excited to report that I have more orders to fill than I can really keep up with and more ideas and designs floating in my head than ever. It's so hard to predict inventory before opening the store, so perhaps I got a little bit ahead of myself... Oh well. It's an exciting time.

Of course, it's in the midst of this joy that life, in it's unpredictability and indifference to our preferences and plans, chooses to intrude and remind me : it's out of my control. I went home for the weekend, and it turned out to be a lot harder than predicted. I share with you this poem in honor of a friend that passed away, and my mother who is in the hospital again trying to regain strength after a hard week.

What I Learned from My Mother
by Julia Kasdorf

I learned from my mother how to love 
the living, to have plenty of vases on hand
in case you have to rush to the hospital
with peonies cut from the lawn, black ants
still stuck to the buds. I learned to save jars
large enough to hold fruit salad for a whole 
grieving household, to cube home-canned pears
and peaches, to slice through maroon grape skins 
and flick out the sexual seeds with a knife point.
I learned to attend viewings even if I didn't know 
the deceased, to press the moist hands 
of the living, to look in their eyes and offer
sympathy, as though I understood loss even then.
I learned that whatever we say means nothing, 
what anyone will remember is that we came. 
I learned to believe I had the power to ease
awful pains materially like an angel. 
Like a doctor, I learned to create 
from another's suffering my own usefulness, and once
you know how to do this, you can never refuse. 
To every house you enter, you must offer
healing: a chocolate cake you baked yourself,
the blessing of your voice, your chaste touch.




[Photo.]

11.07.2011

Introducing : The Ripe Word.



It started with this little idea I had and it grew into something surprising. Something big and unpredictable and good. And I can't believe I'm writing this post, that in mere moments my little idea will be out there for the world to see. Nevertheless, here it is. My little idea is now a big idea about to come to fruition. 

My friends, I have started a business. The Ripe Word is my very own Etsy shop I have created for selling my watercolor and ink paintings. 

Where did my little idea begin? It's a long story, but in a nutshell, I've always been an artist. I've been drawing and painting since I was really young. For a brief while in college I was an English and Visual Arts double major, but discovered that visual art was more enjoyable when I was creating it on my own terms, rather than in a classroom setting. So I quit. I chose one over the other. For awhile after that I didn't pick up a sketchpad or paint at all, I think because I felt intimidated, but also because I was preoccupied with finishing my degree in English/Writing. After I graduated, I began to pursue it again - slowly, quietly, when I was sure that no one was looking. 

What sparked the impulse to sell my work? A few months ago, a family friend began planning a silent auction for my mom to raise funds for her medical debt. She asked me to donate artwork for it, knowing that I dabble in it. I said yes without any forethought to what I would create in order to contribute. 

And then I began to think : what can I create that will be more than beautiful, but will also serve as a glimpse of my mother's story, and mine too? 


Some of the text incorporated into the artwork is poetry written by myself, some are quotes from poetry or prose that inspires me and speaks to life as I see it : beautiful, brief, and sacred. The images themselves - mostly fruit and other natural objects - are meant to depict life, healthy, joyous and simple. Life the way that it was meant to be enjoyed. 



Noteworthy about The Ripe Word
Fifty percent of the profits from each sale will be donated to my mom to help her as she continues to pay off her medical debt. She was first diagnosed with breast cancer in 1997 and was later diagnosed with metastatic breast cancer in 2002. Since being diagnosed with metastatic breast cancer, she has undergone a variety of treatments and surgeries, and spent much of 2011 in the hospital. [Read more about my mom's story here.] This is my way to honor her, and help her in a way that I am able. [In case you were wondering, yes, she does think I'm crazy for offering this, but since I inherited her stubbornness, she can't stop me.]
The Ripe Word is going green. I'm currently researching materials to make this an eco-friendly business. Paint, paper, ink, mat frames, packaging, and business cards are all on my list of to-find. If you're an artist that works with these materials and can give me good recommendations, I am all ears. 

A Note of Thanks :

The auction for my mom was held in mid-October, and it drew a crowd of more than 800 of our "closest" friends, family and acquaintances. My family is truly blessed to have such a strong support system. Even in the midst of one of life's hardest experiences, we have discovered profound joy. This business is in part dedicated to the people that continue to support me and my family, for the prayer and the visits and the meals and the hugs that keep us moving forward. Without you, I wouldn't have had the courage to do this. 

With Love,

B.

book·ish: cheeky bookends.

These so belong on my bookshelves.




Via Knob Creek Metal Arts on Etsy.



book·ish/ˈbo͝okiSH/Adjective


1. (of a person or way of life) Devoted to reading and studying rather than worldly interests.
2. (of language or writing) Literary in style or allusion.
3. (of art and all manner of lovely things) devoted to the written word as a form of art and as a way of seeing the world.
4. (of SheWritesandRights.blogspot.com) anything of the aforementioned characteristics as they are found on the interwebs and reposted by Bethany, because bookish and writerly things always give reason for amusement.*


*All items posted in the book·ish section are found by myself and posted of my own accord unless otherwise stated. If you would like to be a sponsor or host a giveaway, please contact me at shewritesandrights[at]gmail[dot]com.


Follow me and my bookish board on Pinterest

11.04.2011

Inspired By.



This song has been on repeat in my head and in my earbuds for well over a week now. Her voice is rich and buttery as it swells in intensity to a ringing sharpness that sends a chill down my spine. It is a reminder of what I'll never be. If I could sing, steal a voice that isn't mine, it would be hers, the way it rises above layer upon layer of strings and slow, steady beats to a pinnacle of meaning, of sweetness and then down again, settling into itself like a folded blanket.

But each of us has our own voice. It is unique to us, and it is unique to the ear of the listener. Our words and our tone speak to us and who we are, our intentions, our secrets, hidden or exposed. They speak to the listener and who they are, how they interpret what they hear, and how they respond to our voice with their own. A dialogue.

Our voice is one among a sea of voices, a reverberation of echoes that often beg the question : am I audible? Maybe if I say it as she said it, I would be heard. Understood.

It is this I struggle with in various capacities and contexts :

To trust the strength of my own voice. 

To let it ring true or fall silent as the moment demands. To write, speak, sing with my own words, whether or not anyone is paying any heed. To temper my envy and insecurity with respect for each voice in its uniqueness and respect for a shared reality : no voice can be duplicated. Each is autonomous. Each is temporary. We are tasked with choosing words carefully while we have the opportunity to say them. 

Here are a few voices from around the web that I appreciate :

"And that is when art serves us best — when it helps us not escape our pain but transcend it."

"It's a confusion like I've never felt. Not the swirling words of competing reasons, but a blank page." Without Assurance

Some good news for us artsy-fartsies. 

"Her split reminds us that the planning of a wedding is not the same as the planning of a life together."


Because I'm obsessed with food

"The silence is his breathing in." Autumn Wind.

Questions I have for people who have their life figured out.

Feel free to share a few of your favorites from the interwebs this week, friends. Happy Weekend. 


11.02.2011

Guest Post | Un-Growing Up.


Today's guest post from Brynna Lynea King is dear to my heart and very close to my own story. If you're a twenty-something like us - or any age for that matter - and still trying to figure out how to be a grown-up, this one is for you. Or have you had an epiphany like Brynna's? We'd love to hear how each of you are working towards un-growing up.


Un-Growing Up 

Recently, I became a writer.  Oh, well, that's not quite true. Let me start again.

One month ago, I finally decided, once and for all, to be a writer.  I started a freelance business that I hope grows into something fabulous.

Here’s the thing, though: I have written since I learned to write, which was nearly 20 years ago. I won writing contests in elementary school and had an original poem chosen for publication in high school. I majored in writing and literature.  I've been a contracted writer for a marketing agency for over a year. So what is the difference between that and what I'm doing now? Is it that I made an announcement, or named a business after myself? No. My identity as a writer is not a company name or a website or business cards or professional headshots. These may have helped me convince myself, but they came after my decision was made.  The reason I am choosing to be a writer is that, after a lifetime of self-doubt, I realized that I was at risk of letting my dream slip away.  And getting in the way was “real life” – or, what I imagined real life meant.

I “grew up” four years ago. I transferred colleges to focus on my future. Then I got engaged. After that, I graduated.  In barely over a year, I had gone from being an art-bleeding, hard-partying singer-songwriter and the keyboardist in a reggae band to transferring schools, cleaning up my act, and planning a wedding. Soon, I found myself applying to graduate school to be a teacher – because after all, what does one do with a writing degree?

But then came the trouble. I had a wonderful husband and a neat, pretty life.  But it wasn’t nearly as fulfilling as it was supposed to be. In my junior high classroom, I felt like a kid trying to act like a grown up in front of other kids, unable to be myself -- my not-really-very-grown-up self -- for fear of seeming unprofessional or losing respect. And I was wearing slacks.  At home, I was attempting to play perfect housewife, overwhelming myself with assuming all household responsibilities because I thought that's what good wives do. I found myself in the midst of a violent, self-inflicted identity crisis based on my own assumptions about what it means to be an adult -- assumptions that almost cost me my dream and a huge part of myself.

The truth is, I’m an artist.  I’m a writer. I have trouble picking up after myself, and sometimes I enjoy a little chaos.  And so, to balance the pendulum, I've been working on un-growing up -- just a little.  Here are a few things I'm learning.

"Growing up" does not mean becoming someone you're not.

Are you becoming a better version of the REAL you? I can try to be a neater neat freak all I want. But I am not a neat freak at all. Un-growing up here means letting go of selves I sometimes wish I was, and working purposefully on improving the self I am. The real grown-up qualities of responsibility, wisdom and maturity are good, necessary things. Add these to your true self; no made-up self can wear them nearly as well.

Growing up does not mean achieving perfection.

You're driving yourself crazy. And I guarantee your spouse, boyfriend, or best friend is also growing weary of your constant pursuits in the direction of perfection. Repeat after me: perfect is boring. Some synonyms of “boring” are characterless, colorless, drab, and lifeless. When your goal is perfection, you miss out on creativity, which is almost always messy and never perfect. Perfectionism robs you of life and joy.

Growing up does not mean you can't have fun.

One night fairly recently, I got mad at my husband when he told me he only likes doing chores when he can make them fun. To me, this sounded immature and irresponsible. Really? If chores can be fun, why shouldn't they be? Stop taking yourself so seriously.

Un-growing up is letting go, deciding for yourself, and enjoying the process.

It's throwing out expectations, unrealistic standards and, most of all, rules. Rules like "you must major in something practical" and "you can't have any fun once you have kids" and "wash your sheets every week.” Says who?  Take your three-month-old camping. Major in underwater basket weaving, if that’s what lights your fire. And surround yourself with people like my amazing husband who will make sacrifices (like washing the sheets) to support you in your dream, because it’s what you have to do.

At the risk of sounding like your Facebook wall, I turn to the legendary Steve Jobs, who really had this one down:

“You've got to find what you love… Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work.  And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it. And, like any great relationship, it just gets better and better as the years roll on.”

I didn't decide to be a writer until I realized I might have to spend my life doing something else. I might just grow up and leave writing behind.

No, thanks – I’m going back for it, and it’s coming with me. 

~


Brynna Lynea is a freelance writer and blogger at brynnabegins.com where she blogs about her creative process, taking chances, learning new things, pursuing projects and dreams, and leaning on the grace of God.  It is about enjoying today and not worrying about tomorrow.  It’s about paying attention to the process. Check out her stellar freelance website or follow some of her everyday musings @brynnlynnea.


10.31.2011

book·ish : Was Shakespeare a Fraud?

Hello, dear friends. What did you do this weekend? I had a hot date with the hubs last night after a busy week and we went to see Anonymous, the new literary/political thriller that asks an extremely controversial question... 


Based on the theory proposed nearly 100 years ago, Anonymous purports that it was the 17th Earl of Oxford, Edward de Vere, that penned the plays and poetry that we know as the work of William Shakespeare. This theory is largely regarded in academia as little more than salacious hogwash, yet Anonymous Director Roland Emmerich [known for such films as Independence Day and The Patriot] makes an extremely evocative argument, and I have to admit that the theory over all has some pretty solid points. 

For instance, Shakespeare was a commoner with limited exposure to the royal courts, absolutely no travel experience, and little more than an elementary education. Yet, the overwhelming majority of his dramatic work is set in the royal courts and in a foreign land, most commonly Italy. And despite his minimal education, he wrote entire plays in iambic pentameter and his words are still some of the most well known and most well loved in the English language, if not all of history. 

By contrast, Edward de Vere not only had the education, travel experiences, and exposure to the royal courts, but many circumstances in his life closely mirror those that are interspersed in Shakespeare's plays, several of which are highlighted in the film. So the basis for the plot line is immediately compelling. [For a full explanation of the theory, view this trailer from the director.]

As far as the film itself, costume design and cinematography are excellent and the acting is superb on all counts. Rhys Ifans plays a tortured Edward de Vere that has spent his life writing an arsenal of plays and poetry that infuriate his wife and his father-in-law, William Cecil, who was Queen Elizabeth I's advisor [played by David Thewlis.] But though he writes constantly, the Cecil family has blackmailed de Vere into never publishing his work. After attending a play at the local theatre and being taken with the way a good production can move an audience, de Vere talks Ben Johnson, a struggling playwright trying to catch his big break, into publishing de Vere's work as his own. Johnson, aptly afraid he would get caught, confides in his friend and fellow actor William Shakespeare about the deal, leaving De Vere's identity a secret. When Johnson hesitates to reveal himself as the writer of Henry V at the end of its first live performance, Shakespeare, portrayed as an illiterate drunk that lusts for the spotlight, jumps on stage and claims it as his own work, thus beginning a public sensation and making Ben Johnson de Vere's only confidant in the truth. 


Vanessa Redgrave portrays an aged Queen Elizabeth I that is beginning to teeter on the edges of dementia and failing health, but still understands the threat that surrounds her without a direct, and I might add, legitimate descendant to her throne. Joely Richardson is a razor-sharp depiction of the young Elizabeth, both beautiful and devastating.


Perhaps the most controversial, confusing and disturbing theory that the film claims is not de Vere as the true author, but rather the why behind this whole mess spun that has spun so wildly out of control. The complex and rather jumbled climax of the film hinges on revelations of just how many central characters are actually the illegitimate children of the Queen. All of them that know the true identity of their biological mother want to stake their rightful claim to the throne. These revelations emphasize the political influence over theater in that era, but they also bring to light more deeply personal motivations for de Vere's plan to publish his plays beyond popular acclaim. 

The plot is shockingly cringe-worthy, but also really really hard to follow for several reasons, all of which I would classify as directoral failure. The characters are addressed by both their royal title - the Earl of Oxford, Earl of Essex, the Earl of Southampton - interspersed with their first and last names. Okay, I can understand that one. But there are also flashbacks within flashbacks within flashbacks, in which the young and old versions of each character may or may not look like themselves but who definitely look like entirely separate characters in the film... that may or may not be blood relatives. The film has no steady chronological foundation, and it is immensely frustrating. If you want to see it, you should plan on taking notes.

The film is a rabbit-hole of who slept with whom and when, a complex web of incestuous and malicious relationships that destroy each of the characters. For the well-versed Shakespeare reader, every aspect of the film evokes the very soul of the infamous playwright that brought us Julius Caesar, Hamlet, Macbeth, Romeo and Juliet, and Richard III - whoever he may really be.  


~



book·ish/ˈbo͝okiSH/Adjective


1. (of a person or way of life) Devoted to reading and studying rather than worldly interests.
2. (of language or writing) Literary in style or allusion.
3. (of art and all manner of lovely things) devoted to the written word as a form of art and as a way of seeing the world.
4. (of SheWritesandRights.blogspot.com) anything of the aforementioned characteristics as they are found on the interwebs and reposted by Bethany, because bookish and writerly things always give reason for amusement.